Doors 9 p.m. / Show 10 p.m.
$10 advance / $12 door / 21+
Touring support: Street Eaters
Local support: Free Truman and Pisstory
Screaming Females had such a clear goal for their new album that it became almost a mantra: they wanted songs that were concise, crisp and melodic. That’s exactly what the New Jersey punk trio delivers on Rose Mountain, their sixth LP, released in February on Don Giovanni Records.
The album is a milestone in a number of ways. Not only does Rose Mountain reflect a new approach to the band’s songwriting, the LP marks the first time Screaming Females have worked with an outside producer, and comes as the trio celebrates 10 years together.
“I’m very pleased and proud of us as a band for playing together for so long,” says singer and guitarist Marissa Paternoster, who formed Screaming Females in 2005 with bassist Michael Abbate and drummer Jarrett Dougherty.
Their longevity helped prompt the concise-crisp-melodic mantra for Rose Mountain. Although melody has always been a central part of the band’s music, the musicians have often layered them into massive thickets of interlocking sound on previous albums. They were ready to try something more streamlined with the 10 new songs on Rose Mountain.
The trio decided the vocal melodies were particularly important, and were careful to leave room for them while they were writing the new songs. “Before we got to that point where we had a complete, complex, intricate thing instrumentally, we stopped and said, ‘Let’s not finish this off, let’s let the vocals finish this off,’” Dougherty says.
If leaving room for Paternoster’s vocal melodies was part of the band’s strategy for Rose Mountain, working with producer Matt Bayles was the other part. With a deeply rooted DIY streak, Screaming Females had self-produced their previous releases (with Steve Albini engineering their 2012 LP Ugly and the 2014 concert album Live at the Hideout) before overturning a long-standing, self-imposed rule and deciding it was time to bring in outside help. “What’s the best way to challenge yourself as an artist? Do something you told yourself you’d never do,” Dougherty says.
Bayles is perhaps best known for his work on albums by heavy metal acts like Mastodon and the Sword, which helped make Screaming Females confident in their choice: they figured he would be right at home with a loud, raucous band. Bayles joined the group in New Jersey to offer advice on composition before the musicians spent a month recording the album with Bayles in Seattle.
“It’s definitely the most eclectic record in terms of instrumentation and dynamics that we have done to date,” Paternoster says.
It’s a fitting way to celebrate 10 years together, a period that has taken the band from playing basement shows in their hometown of New Brunswick to touring with the likes of Dinosaur Jr., Ted Leo & the Pharmacists and Garbage, who teamed with Screaming Females to record a cover of Patti Smith’s “Because the Night.” They’ve been featured on NPR and performed on Last Call With Carson Daly, building an audience without losing the focus and drive that inspired them in the first place.
“It’s pretty amazing that the three of us have been this committed this way,” Dougherty says, and Paternoster agrees.
“At the end of the day, what we really try to do is challenge ourselves musically, so that the three of us remain interested in this project we love very much,” she says. “Hopefully we can continue to do so and make music for as long as it’s feasible for us to do so.”